Pitchfork

Music Journalism 

The Best Music Journalism of 2024

December 14, 2024December 15, 2024 Jason Gross 1 Comment Billboard, Conde Nast, Hearing Things, Medium, Pitchfork, Rolling Stone, Sports Illustrated, Substack, Ted Gioia, Vice

Our political lives suck, so how about some great music writing?

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Music Journalism 

Condé Nast Folds Pitchfork Into GQ

January 17, 2024January 18, 2024 Ron Hart 2 Comments Conde Nast, GQ, layoffs, Music Journalism, Pitchfork, Puja Patel, Ryan Schreiber

Renowned music journalism site’s future in doubt; multiple layoffs announced

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Hard Rock Punk Remembrance Rock 

Drive Like Jehu Frontman Rick Froberg Gone at 55

July 2, 2023July 2, 2023 Ron Hart 0 Comments Drive Like Jehu, Hot Snakes, Pitchfork, Rick Froberg, RIP

“His art made life better,” wrote his friend and bandmate John Reis

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Alternative Rock Punk 

Give It Up For Rocket From The Crypt!

July 1, 2020November 10, 2022 Ryan Bray 0 Comments 1995, 25th Anniversary, Hot Charity, John Reis, Pitchfork, Rocket From the Crypt, San Diego, Scream Dracula Scream, Swami, The State of the Art is On Fire

With three records in one year, 1995 made their case for being the best and hardest working band in rock

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Music Journalism 

Music Journalism in 2019: The Best Stories, Mucho Lay-offs, Power Plays & #MeToo

December 20, 2019December 20, 2019 Jason Gross 0 Comments Billboard, Consequence of Sound, Eric Sundermann, FADER, Maggot Brain, Penske Media, Pitchfork, Playboy, Rolling Stone, Ryan Adams, Vice

A look back at the harrowing year of pop writing in print, digital or otherwise

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Punk Rock 

Bodega and the Birth of Zeitgeist Rock

July 11, 2018July 12, 2018 Justin Joffe 1 Comment Beyonce, Bodega, Bushwick, Indie rock, Parquet Courts, Pitchfork, What's Your Rupture?

An exclusive conversation with Brooklyn’s hottest band

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Rock 

Misconstruing God’s Favorite Customer

June 11, 2018April 12, 2019 Justin Joffe 0 Comments Father John Misty, Indie rock, John Phillips, Pitchfork, Sub Pop Records

Josh Tillman’s new Father John Misty record challenges his listeners—and critics

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