Jonathan Wilson: Curator of Song and Sound
With the excellent Dixie Blur, Roger Waters’ go-to guitarist returns to his Southern roots
Read moreWith the excellent Dixie Blur, Roger Waters’ go-to guitarist returns to his Southern roots
Read moreThe beloved SNL composer’s production work runs as deep as his love for music
Read moreIn 1980, Young Marble Giants stripped post-punk down to its minimalist core
Read moreIn continuance of our celebration of Bob’s 75th birthday, writer Jeremy Shatan picks his faves across all three eras of his tragically truncated career
Read moreIn late 1969, the dearly departed American pop laureate turned in his Citizen Kane
Read moreA look back at The King’s hot August nights in Sin City ’69
Read moreA look back at the rebirth of Isaac Hayes
Read moreDigging into the last Arthur Lee classic on Elektra
Read more“…for those who care about what a genius can do with lyrics, a 12-string guitar and a windmilling voice, Tim Buckley is to be investigated.” (“Creem,” December, 1970.)
Read moreAlong with Soupy Sales’ boys and guitar maverick Reeves Gabrels, David Bowie rebooted his sound in 1989 through his love for college radio
Read moreRNRG looks at the classic third album from the momentary tandem of a prefab Marc Bolan and Steve Peregrin Took
Read moreDo they still ring 40 years later?
Read moreWas James Osterberg’s 1979 Arista debut also his last true masterpiece?
Read moreOn their eponymous third album, The Velvet Underground inched closer to pure pop pulchritude while laying a new template for the future sound of college radio
Read moreBad Brains and the legendary Black Dots
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